The Imaginarium of Doctor Parnassus

This is a really intriguing movie. And not for the fact of Heath Ledger simultaneous presence and absence as the lead role. Because that fact, I think it could be a pioneering move having four different actors playing the same role.

I will admit that as a whole the film looks similar to a couple other films, but I still think I am going to give it a watch.

Written On Their Hearts

I just read a very interesting article over at Paste Magazine. It talks about how John Darnielle, the front man for The Mountain Goats, and his deep struggle with his faith. I first heard about them through fellow Charlestonian Stephen Colbert. To tell the truth, their music was less than impressing, but this article is astounding to hear him talk about his faith.

While I was reading the article, I had Romans 2:15 flashing through my mind. Darnielle is apparently firmly of the belief that there is no god, but he states that "Anyone who says they never doubt is lying. But anyone who’s perfectly happy with there being no force of total love and forgiveness in the universe is also pretty foolish."

He has a firmly Catholic background, prays the rosary, and he loves "going to Hare Krishna temples to chant." His reasoning? "I believe in the spirit of prayer, and the process, and finding some way of acknowledging my own smallness in the infinite." Amen, I do to. "But I think you need to engage beyond technical exercises." Amen, I do to.

I can see him, so close to the truth, just getting ready to step into a big, messy pile of God's grace. I can see definite merit in engaging "beyond technical exercises," what I think he is using to refer to religious practice or organized religion.

We do get too often caught up with the right type of praise and worship, saying the right liturgy, and forget to engage God through the ways he's given us: His Word and prayer. And then we complain about not being able to hear God.

It is intriguing that a man of such staunch beliefs has devoted the entirety of The Mountain Goats new album to the Bible: song titles, narratives, et cetera. Apparently the final track is taken from Ezekiel's account of the end times. I kinda want to hear it.

His ending quote was particularly mind-blowing to me, I'll leave you with it: "There are plenty of people in the Bible who do things for which they shouldn’t be forgiven unless they beg, and they don’t. Yet grace, divine or otherwise, absolves the most monstrous sins. If there is grace."

What do you think?

What I'm Reading

In the spirit of I need to get off my lazy butt and read more if I am going to keep up the pretense of being intellectual, educated and an English major, I am going to read more. And I am going to post what I am reading here.

The book I am currently reading (semi consistently) is Just Do Something by Kevin DeYoung. The subtitle is "How to Make a Decision Without Dreams, Visions, Fleeces, Open Doors, Random Bible Verses, Casting Lots, Liver Shivers, Writing in the Sky, etc." Pretty fabulous.

I had heard about the book from Josh Harris a few months ago, seeing as he wrote the foreward for it. Which is pretty amazing. You should check it out. So far the book is good stuff, and fairly predictable, but still good.

It's telling me what I need to hear: JUST DO SOMETHING. I'd encourage you to pick it up, though. It's pretty cheap. And worth it.

Culture Diet

In this article, Charlie Brooker talks about the superfluity of literature and entertainment he possesses. And I agree:

"I'm fairly certain I recently passed a rather pathetic tipping point, and now own more unread books and unwatched DVDs than my remaining lifespan will be able to sustain. I can't possibly read all these pages, watch all these movies, before the grim reaper comes knocking. The bastard things are going to outlive me. It's not fair. They can't even breathe."

I have bought 8 new books since the beginning of summer, and I've only read three. And two of them weren't one of the books that I bought.

Summer and Fall Conferences for RUF are a struggle for me: they've got a table of a whole dang lot of literature that I'd like to pick up, and poor little me with the knowledge I have a growing heap of unread-ness on my shelf at home.

About Crime & Punishment, Brooker says, after buying it, "I never read it. A few months ago, having forgotten I already owned a copy, I bought it again. This means I haven't read it twice." While I have yet to do that, it's only a matter of time. I have had someone tell me that I could borrow a book of theirs that I want to read, but instead I go and buy my own copy to not read.

Brooker's idea of the perfect solution for said problem is to obtain a fantastical sort of environment furbished with the technology available around the 1970s. "And every time I think about complaining," he writes "I want a minotaur to punch me in the kidneys and remind me how it was before."

While I cannot deny the comedy in that last statement, I don't know if that is the solution I would prefer. Don't get me wrong, there are plenty of times when I wish we just lived in a period where life was...simpler.

Unfortunately, culture is such that once you've had a taste, you will only with great difficulty be able to refrain again forever.

Take the illegal downloading of music: if it had not become so readily available and widespread so quickly, then it would have been fairly easily to implement a system to prevent it.

Now, however, because the world has experienced it, there's no way in hell they're going to let it go. The same could be said for social networking, for iPods, modern art, pornography, et cetera.

That's what I think, but what do you think?

[from The Guardian via Curator]

Horse Hero

Oh, Kris Straub. I have a noted dislike of both Guitar Hero and Rock Band, but this is a game, I would actually play.

Mostly because there's no way I could or would learn to ride a horse in real life. So it's legitimate to do it in virtual life.

Again Of Derek Webb

I already talked about the show, but I forgot this picture. I have another one on my phone, but we'll see how that goes:


You can't really make it out, but he had two strips of LEDs on either side of him broadcasting an assortment of colors depending on the song. And of course, the kick drum.

Rarities Don't Always Make My Heart Happy

My phone is jacked up somehow. My technologically-astute-and-slightly-idolatrous housemate Joel tells me it's updating it's software. I'm not on the Geek Squad, but something tells me it should be taking 12 hours to do that.

So if you have called or texted me in that time, I'm not a jerk, at least not in this instance, I'm just unable to reply at the moment.

Derek Webb's 'Black Eye' Tour

So, this is a little late, but here goes:

Thursday the 24th of September was a small but momentous occasion for me: the first concert I have been to in quite some time. I remembered why I love to go to them.

The performer was Derek Webb, accompanied by his former Caedmon's Call bandmate Josh Moore (who partnered with him for the album), and the drummer Chris Kimmerer. Having listened to the CD heavily, and knowing it was laced with heavy electronic melodies and beats, I was very interested to see how Derek would go about performing it.

I was not disappointed in the least. He performed the entire album, including his controversial song "What Matters More," in it's full, explicit glory. Having Josh their doing the electronic work live was absolutely amazing, and Chris on the drums just added a powerful, beefed-up sense to the songs.

Derek let Josh and Chris have a break halfway through and performed several requests from his older stuff, including a cover I didn't know existed, of Bob Dylan's "The Times Are A-Changin'"

While I was there I picked up some new music as well.

I particularly enjoyed the use of three bass drums, each being kicked by the three performers during "The Spirit vs. The Kick Drum," a song that (unbeknownst to me) includes the voice of Bert. Derek is apparently being sued over his use of Bert's audio. He said that Sesame Street didn't want to be associated with the kinds of things his CD contained, and "Apparently the letter 'L' on Sesame Street stands for 'Litigation'."

Finally, and almost importantly, one of the coolest parts of the show was the backdrop they had behind Chris on the drums, it displayed an assortment of colors that coincided with the songs.

Blackmail by Creed Bratton

As a good many of you may be aware of, I am a fairly big fan of The Office. I'll admit, I'm a little perturbed by its "trendiness" in the past year or so, but it still makes me laugh, so I'm committed for the foreseeable future.

I stumbled upon the Blackmail Webisode, featuring Creed Bratton. It's pretty funny, although Creed's acting is a little off. One of my favorite things was Andy's statement: "Creed, you are gratuitously creepy." So true.

Watch it and tell me what you think.

Polar War Show

Went to the Polar War show tonight. I say the Polar War show even though they were opening for All Get Out, mostly because I went to see Polar War and not All Get Out.

Overall, I was pleasantly surprised and quite impressed. Not that I thought they would suck, but I had yet to hear their stuff, and it was excellent. Which equals me, pleasantly surprised.

Even though the room the actual show was in consisted of a single, normal size doorway and about 400 square feet, with about 30 people packed into it, and the acoustics were less than stellar, it was still a pretty well performed show.

Being a longtime friend of Will, it was difficult not to pick up on slight hints of Haze Grey and From Morning On's vocals, but that's not a bad thing by any means. If tonight's show was any indicator, he has definitely progressed and matured far beyond my memory of his role in those bands. His vocals were not polished, not pristine, but instead were an enjoyable full and passionate, laced with a sense of depravity. I can't wait to hear him once they record something.

Nog and Andy's background vocals were daggum amazing. That's a professional term which means WELL DONE. A lot of times background vocals can seem superfluous or unnecessary, but each time they stepped up to the mic, there was a pleasant harmony or cacophony with whatever Will was singing. They also threw in some gang-type vocals, technique I've always loved.

Dave was, naturally, going crazy on the drums. From where I was standing I could only see his arms as he bashed out a pleasant medley of heavy-hitting drums, but it was enough to see the intensity with which he was playing. The drums were another aspect that did not overpower but rather supported the rest of the instruments, a surprising feat for the venue.

I'll admit it was difficult to hear the guitars simple because of the confines of the building, but that's my only criticism about their contribution. I really enjoyed the volume of Nog's bass, and the variety of what he was playing--it wasn't a typical monotonous bass line. I was also unaware that Will played keys as well as guitar, at least in the band--a worthy contribution and again, enjoyable.

Basically, I went because they were friends but I'll be going back because they put on a pretty bangin' show.